Christie’s International is to offer eight works on paper by the Austrian Expressionist Egon Schiele, carrying a low estimate of 7.6 million pounds, in its Feb. 4 sale of Impressionist and modern art sale at King Street, London.

The proceeds from the sale will go to the Neue Galerie, New York, which was created by cosmetics magnate Ronald Lauder and the late Serge Sabarsky to showcase early-20th-century German and Austrian art. They will help pay for Lauder’s $135 million purchase of Gustav Klimt’s “Adele Bloch-Bauer I,” which now hangs in the Neue Galerie.

“This is quite a coup for us,” Olivier Camu, Christie’s head of Impressionist and modern art in London, said in a telephone interview”.

Mutter und Kind, of 1910, marks a decisive turning point in Egon Schiele’s artistic and personal development (estimate: £1,500,000-2,000,000). It was in this year that the young artist would not only achieve a stylistic breakthrough in his art, but would also establish the universally compelling allegory of Mother and Child as an enduring theme in his work. Inspired in part by the monumental paintings of his mentor, Gustav Klimt, Mutter und Kind is one of Schiele’s earliest studies on the subject that, he believed, stood as a metaphor for the cycle of birth, life and death.

With their bruised colouring and waif-like forms, the figures in Liegende Frau mit roter Hose und stehender weiblicher Akt, 1912 (estimate: £2,000,000-3,000,000) indicate the vulnerability of human flesh, suggesting that the desire for love is tainted by the consciousness of our own mortality. Unlike other of his more provocative and explicit works depicting coupled women, in this gouache it is the hint of physical contact - the fact that it is an idea seemingly born only in the viewer’s mind - that lends the work much of its mystery and power.

For Schiele, the human figure was the main vehicle through which he conveyed both passion and belief. In Stehender Mann, executed in 1913, he has created an image that is filled with tensions, and these function on various levels of content and style (estimate: £1,500,000-2,000,000). As is so often the case in Schiele’s pictures of male figures, Stehender Mann acts as a form of self-portrait.

Painted in 1910, Selbstbildnis, Kopf (Self-Portrait, Head) is one of a series of self portraits that rank amongst Schiele’s finest achievements (estimate: £700,000-1,000,000). With his arresting gaze, Schiele stares out from the picture surface from Selbstbildnis (recto); Liegende Frau (verso) which was executed in 1914 (estimate: £800,000-1,200,000).

The collection also includes the charcoal on paper Mädchenakt mit pelzbesetztem (Mantel Girl in a Fur Coat), 1917 (estimate: £300,000-400,000); Sitzende Schwangere (Seated Pregnant Nude), circa 1910 (estimate: £400,000-600,000) and his 1917 portrait of Erich Lederer, the son of the Viennese industrialists August and Serena Lederer and one of Schiele’s most faithful friends and dedicated patrons of his art (estimate: £400,000-600,000).

Posted: 01|11|08 at 9:25 am. Filed under: UK News.